_9-minions-9234hammer9234-sound-variations-in-30-seconds-preview-1.jpg "9 Minions \\"Hammer\\" Sound Variations in 30 Seconds from 19 hammering sound variations Video Screenshot Preview 1")
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Neo Noise YT
Neo Noise YT
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_19-9234correct-answer9234-sound-variations-in-30-seconds.webp "Ayieeeks")
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_julien-creuzet-92-french-pavilion-at-venice-art-biennale-2024.webp "Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.")
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_mrton-nemes-techno-zen-92-hungarian-pavilion-at-venice-art-biennale-2024.webp "Márton Nemes: Techno Zen / Hungarian Pavilion at Venice Art Biennale 2024. April 19, 204.<br/>Official description: Márton Nemes’ work is influenced by techno subcultures; the explosion and rearrangement of the pictorial field gives a psychedelic character to his abstract paintings that evoke the visual atmosphere of nightclubs. Combining painterly and sculptural elements, his multimedia installations create a hypnotic spatial dynamic that propels the viewer from the harsh, real world into a dizzying, fluorescent colour field. Nemes designed the project Techno Zen as an immersive, painting-based Gesamtkunstwerk that expands to other media. Laser-cut steel, car paint, enamelled steel plate, projection, DMX lights, speakers and coloured fans are the tools that he reinterprets the palette of painting with and makes the environment multisensory: its optical, acoustic and haptic content unfolds through the combined effects of light, colour, movement and sound. The project, structured in three main parts, can be fully experienced when the visitor stands in the centre of the pavilion that links left, right, front and back spaces. To be in the middle carries a symbolic meaning, it is both physical and ontological. In an era of polarized societal phenomena that exclude nuances, the project conveys a humanistic message that we, albeit its simplicity, should keep reminding ourselves of.")
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_19-9234thomas-whistle9234-sound-variations-in-50-seconds.webp "MC BABAGEE")
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