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Jurnal tv La Cinq
⏲ 1 min 80 sec ✓ 16-Dec-2011
Florin Kocze Story (Nathanael Klegseth story)
⏲ 16 min 76 sec ✓ 05-Jun-2017
Anton Roland Laub - Last Christmas (of Ceausescu)
⏲ 1 min 42 sec ✓ 08-Dec-2020
Exit Entry
⏲ 6 min 18 sec ✓ 04-Sep-2015
LES EPOUX Anne Laure Liegeois
⏲ 2 min 24 sec ✓ 13-Feb-2015
VHS in off world, aka film dubbing as subversion
⏲ 47 sec ✓ 04-Oct-2016
« Cinq préludes au XXIème siècle »
⏲ 29 min 3 sec ✓ 21-May-2011
Emoționantul discurs al Maricicăi Puică
⏲ 1 min 1 sec ✓ 17-Nov-2011
Arafats Söldner
⏲ 60 sec ✓ 19-Aug-2019
Gert Fabritius - Semesterabschlussarbeit AVP
⏲ 3 min 40 sec ✓ 17-Mar-2014
Interview with a live shadow - Gheorghe Zodian
⏲ 23 min 66 sec ✓ 11-May-2009
Old Customs by Chris Suspect - Printer's Proof Video
⏲ 98 sec ✓ 16-Aug-2020
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_exit-entry.jpg "In the period after the fall and bloody execution of Romanian dictator Ceaușescu on Christmas day in 1989, hundreds of thousands Romanians fled to Western Europe. Actress and performer Ioana Tudor was one of them. Back then she was only nine years old and fleeing felt exciting. That changed radically, when she had to keep moving from one place to another. She found consolation in swinging in playgrounds. Twentyfive years later the past is still very close by. This is the story of Ioana Tudor an")
_jurnal-tv-la-cinq.webp "Jurnal al televiziunii franceze La Cinq despre situatia din Romania.nsursa ina.fr")
_florin-kocze-story-nathanael-klegseth-story.webp "NATHANAEL KLEGSETHnnn n nThe video footage you are about to see is of the Romanian Revolution in DECEMBER OF 1989nViewers discretion is advised.nThe historic events that took place before I was born in Romania with the overthrow of the communist dictator Ceausescu in December of 1989 would have a dramatic influence on my future.nI was conceived the following month. When my dad found out Terezia was pregnant he demanded she get rid of me. This was the first year that abortion was legal in R")
_anton-roland-laub-last-christmas-of-ceausescu.webp "At the end of 2019, 30 years after the system change, an EU resolution was passed calling on the Romanian state to officially process the past events. While the overthrow of other communist dictatorships in 1989 was mostly peaceful, Romania’s revolution ended in a bloodbath. To this day the dead have not been atoned for.nnThrough a rapid visual choreography, artist and photographer Anton Roland Laub recounts the fall of Romanian dictator Ceaușescu. On his escape on December 22, 1989, Nicolae")
_exit-entry.webp "In the period after the fall and bloody execution of Romanian dictator Ceaușescu on Christmas day in 1989, hundreds of thousands Romanians fled to Western Europe. Actress and performer Ioana Tudor was one of them. Back then she was only nine years old and fleeing felt exciting. That changed radically, when she had to keep moving from one place to another. She found consolation in swinging in playgrounds. Twentyfive years later the past is still very close by. This is the story of Ioana Tudor an")
_les-epoux-anne-laure-liegeois.webp "Les épouxnde David Lescotnmise en scène et scénographie Anne-Laure Liégeoisnassistée de Audrey Tarpiniannnavec Olivier Dutilloy, Agnès Pontiernlumières Dominique Borrininréalisation sonore François Leymarienréalisation vidéo Grégory Hiétinnscénographie et costumes Anne-Laure Liégeoisnrégie générale Antoine Gianforcaronrégie son et vidéo Guillaume Monardnrégie lumières Patrice Lechevallierncouture Elisa Ingrassianco-production Le Festin - compagnie Anne-Laure LiégeoisnLe Vo")
_vhs-in-off-world-aka-film-dubbing-as-subversion.webp "Between 1984-89 in the apartments of tower blocks in Bucharest capital of a sequestered communist Romania 1000's of pirated videocassettes, forbidden films from the West were screened illegally.nThe disorientating foreignness of these technicoloured,ideology-busting films were tempered by the voice of Irina Margereta Nistor who frequently skirted exposure and arrest by Nicolae Ceausescu's dreaded Securitate whilst defiantly translating and dubbing the films into Romanian. In this unique event Ni")
_cinq-prludes-au-xxime-sicle.webp "Pendant l’époque totalitaire de Ceausescu, un groupe de jeunes rendaient visite aux écrivains et artistes dissidents, en leur chantant des cantiques de Noël, essentiellement interdites par le régime. En réponse, les intellectuels censurés ouvraient leurs tiroirs pour présenter en cercle restreint la littérature censurée par le système. Une certaine forme de résistance culturelle naquit ainsi.nDix ans après la libération de ce régime totalitaire, l’un de ces groupes d’anciens")
_emoionantul-discurs-al-maricici-puic.webp "Cunoscuta noastră atletă își expune gândurile, sentimentele în fața națiunii")
_arafats-sldner.webp "Zusammenschnitt animierter Sequenzen für eine Dokumentation über einen Ex-Terroristen.nnArafats Söldner erzählt die Lebensgeschichte des Deutschen Willi Voss. Für die palästinensische Terrororganisation „Schwarzer September“ war Voss an den Vorbereitungen für das Attentat auf die israelische Olympia-Mannschaft am 5. September 1972 in München beteiligt. Jahrelang hatte er ferner direkten Zugang zu den Anführern der „Fatah“ und des „Schwarzen September“, zu Jassir Arafat und")
_gert-fabritius-semesterabschlussarbeit-avp.webp "Ein 5min Portraitfilm über den siebenbürgisch-sächsischen Künstler Gert Fabritius.")
_interview-with-a-live-shadow-gheorghe-zodian.webp "Documentary about my grandfather, Gheorghe Zodian. A former colonel in Securitate and Deputy Minister, he was probably the first Romanian nomenklaturist to openly criticize Nicolae Ceausescu. Made about a year prior to his death at 90 years of age, this documentary attempts to shine some light on the fateful events of 1974.nnMore information will soon be added at http://gheorghe.zodian.net")
_old-customs-by-chris-suspect-printer39s-proof-video.webp "Traditions, customs, folk stories, and legends serve as the foundation for identity and as a glue that binds a society together, but what happens when there is a sea change in the national landscape? How do these historical foundations hold up? How do newer generations pay reverence to their past while embracing a new path and its promised freedoms? What is the friction between the new and the old, and can they work together?nnTo ponder these questions in photographs may seem to be an impossible")
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