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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib

Krishna Vrinda Vihari _ Full Movie _ Romantic Love Story _ Naga Shaurya, Shirley Setia

⏲ 2:18:48 👁 425K

eugene teo

How to Increase PULL-UP STRENGTH - Full Program, Reps & Sets to Get Better At Pull Ups & Chin Ups

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ATHLEAN-X™

The Official Pull-Up Checklist (AVOID MISTAKES!)

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AN AMISH BUGGY that would normally be drawn by horses has been fitted with a turbo jet engine. “It’s like oil and water, they should not go together,” jokes its creator Chad Clark. The outrageous project, built by Chad Clark and Mike Monter of Millersburg, Ohio was originally meant to be something very different. “Mike and I were at our local county fair, I mentioned it would be really cool to build a turbine-powered four-wheel drive pulling truck,” Chad explained. But the auction description had misrepresented the engine as a turbo shaft engine. “I went home that night, found an engine online and bought it but didn’t realise it was not turboshaft, it was turbojet only,” Chad remembers. They ended up having to use a much lighter vehicle instead of the original truck. “We live in the Amish capital of the world so we figured an Amish buggy would be perfect,” Chad said. Co-creator Mike Monter told Future Studios Cars: “He called me up, said we’re not doing a pulling truck anymore, we’re doing an Amish buggy – seemed natural.” The build and modifications cost around $30,000 and took roughly 700 hours of labour to complete: “Many all-nighters,” Chad said. When out in public, people struggle to believe the bizarre creation actually works. “When people see the Thunder Buggy they can’t believe their eyes and the first question is, does it really move? Yes it does,” explained Chad. Traditionally, these buggies would have been moved by horses so this particular one is far from conventional. “The buggy is not designed to take 100 feet of electrical wiring, fuel tanks and a jet engine,” Chad admitted. With a top speed of 65 miles per hour before the wheels start shaking, this exhibition-only vehicle was not built for speed: “It’s a really simple engine design, it’s some pretty awesome engineering from back in the 40s,” explained Chad.

World’s First Jet-Powered Amish Buggy

⏲ 5:26 👁 6.2M

Avery Cyrus

Doorframe pull ups only 😤

⏲ 27 seconds 👁 8.3M

Scott Burnhard

Strong 45 year old Woman doing cleaaaaan Pullups in SOHO NYC rate her form!!! 💪🏾🔥😤#Shorts

⏲ 51 seconds 👁 34.7M

Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Zain Zohaib<br/>Composed by: Zain Zohaib <br/>Written by Zohaib Ali<br/>Music Arranged by Action Zain & Xulfi<br/>Music Produced by Action Zain & Xulfi<br/>Mixed by Xulfi<br/><br/><br/>ARTIST<br/><br/>Zain Ali – Vocals<br/>Zohaib Ali - Vocals<br/>Quratulain Balouch – Vocals<br/>Action Zain – Synth & Keyboard<br/>Saad ul Hassan – Synth & Keyboard<br/>Haider Ali – Tumbi, Banjo<br/>Melvin Arthur – Synth Bass <br/>Haroon Daniel –Octapad<br/>Kami Paul – Drums<br/>Abdul Waheed – Tabla<br/>Sameer Ali – Harmonium<br/>Ghula Abbas - Dholak<br/><br/>Humnawa<br/><br/>Ehsan Ali <br/>Nauman Rehmat<br/>Mudassar Ali<br/>Ruzzam Ali<br/><br/>Brass Section <br/><br/>Conductor: Nijaat Sahab<br/><br/>Mubarik Ali<br/>Basharat Ali<br/>Mehboob Hussain<br/>Muhammad Aslam<br/>Riaz Ahmed<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>SOUND SQUAD<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Ziad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/><br/>TALENT MANAGEMENT<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/>THINK TANK<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>LINE PRODUCTION<br/><br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/>VIDEO PRODUCTION<br/><br/>Director: Kamal Khan<br/>Producer: Shahrukh Kazim (Fepo)<br/>Video Production House: Gali Films<br/>Project Manager: Zara Chohan<br/><br/>Cinematographer: Ahsan Raza<br/><br/>Production Designer & Art Director: Hashim Ali<br/>Production Design Assistant: Mahina Reki<br/>Art Assistants: Lujane Pagganwala & Sumaiya Saiyed<br/>Set Team: Umer Ikram<br/><br/>Wardrobe Stylist: Fatima Butt <br/> Make-up & Hair Stylist: Saima Rashid Bargrfrede<br/>Makeup & Hair Assistants: Ahmad & Shamroz<br/><br/>1st Assistant Directors: Komal Ahmad, Fariha Afzal & Maham Bano<br/>2nd Assistant Director: Hadi Ahmad<br/><br/>POST<br/><br/>Post & VFX: Kamran Lodhi (Kaamwalay Studios)<br/>Editing: Abubakar Saddique (Studio Rokhan)<br/>Post supervisor: Sohail Khan<br/>Colorist: The Post Brothers - Ercan Küçük<br/><br/>Lights Gaffer: Muhammad Aamir<br/>Focus Pullers: Waqas Younus & Adnan Rafiq<br/>Ronin Operator: Islam Uddin<br/>Ronin Assistant: Furqan Ahmed<br/>Digital imaging Technician: Sohail Khan<br/>Digital imaging Technician Assistant: Mirza Safeer<br/>Smart Video Assist: Sharp Image<br/>Team SVA: Rizwan Saleem, Daniyal Khan & Danish Hashmi<br/><br/>Camera Company: Studio 146<br/>Camera Team (A/C’s):<br/>Muhammad Waqas, Muhammad Irfan, Fahad Yaseen, Fahad Ullah Khan, Haji Fakhrud

Coke Studio | Season 14 | Thagyan | Zain Zohaib x Quratulain Balouch

⏲ 5:17 👁 65K

Adam Frater

How to Muscle Up (Full Tutorial)

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Jeremy Ethier

How To Get MORE Gains From Pull-Ups (4 Mistakes You Need To Fix)

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With Hallmark's 'The Way Home' Renewed For Season 3, Here's What The Stars Told Us About Being Dunked In Water For Time Travel Master

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MDJ FITNESS

THE PULL-UP CRASH COURSE

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Renaissance Periodization

Optimize Pull-ups For Back Growth | Targeting The Muscle

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