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_tillu-square---full-movie---siddu-anupamaparameswaran---beautiful-love-story.jpg "#TilluSquare #TilluSquareTrailer #Anupama<br/>Watch the Release Trailer of Tillu Square | Siddu, AnupamaParameswaran | MallikRam | March 29th Release<br/><br/>Tillu Square is our upcoming telugu feature film starring Sidhu, Anupama Parameswaran in lead roles. Directed by Mallik Ram. Editing by Navin Nooli. Cinematography by Sai Prakash Ummadisingu. Music by Ram Miriyala & Achu Rajamani. Produced by Suryadevara Naga Vamsi & Sai Soujanya.<br/><br/>#TilluSquare #TilluSquareTrailer #Siddu #Anupama <br/><br/>Worldwide Grand Release in theatres on March 29th, 2024.<br/><br/>Movie Name: Tillu Square<br/>Director : Mallik Ram <br/>DOP: Sai Prakash Ummadisingu<br/>Editor : Navin Nooli <br/>Background Score: Bheems Ceciroleo <br/>Music Director: Ram Miriyala and Achu Rajamani <br/>Art: A.S. Prakash<br/>Producer: Suryadevara Naga Vamsi & Sai Soujanya<br/>Banner: Sithara Entertainments, Fortune Four Cinemas")
⏲ 2:0:31 👁 425K
_mere-sai-ep-673-full-episode-10th-august-2020.jpg "SET India")
⏲ 30 minutes 25 seconds 👁 273.6K
_mere-sai-ep-372-full-episode-26th-february-2019.jpg "SET India")
⏲ 24 minutes 11 seconds 👁 301.8K
_thank-you-next-124-official-trailer-124-netflix.jpg "Thank You, Next | Official Trailer | Netflix<br/><br/>If we're ready, we're FALLING IN LOVE! Thank You, Next, only on Netflix, May 9th.<br/><br/>")
⏲ 2:24 👁 875K
_mere-sai-ep-381-full-episode-11th-march-2019.jpg "SET India")
⏲ 23 minutes 45 seconds 👁 455.5K
_124-sai-baba-124-mere-sai-368.jpg "Shemaroo Bhakti Darshan")
⏲ 24 minutes 20 seconds 👁 23.3K
_the-new-porsche-macan-turbo-exterior-design-in-racing-green.jpg "It’s all down to this line, a mere stroke on paper. And yet it marks a a new beginning. The coupé-like roofline of the Macan and the striking rear—with its shape so typical of Porsche—evoke the tight, unmistakable flyline of the 911. But this time, it’s not just a reminder of the Porsche icon. Rather, the shape, including the rear spoiler, is a groundbreaking innovation in the all-electric SUV segment. “The active aerodynamic elements all contribute significantly to the range,” says aerodynamics specialist Thomas Wiegand. “We have a rear spoiler that raises automatically, active cooling flaps at the front air intakes, and flexible covers on the underbody.” Located in the same building as the Style Porsche design department, the Weissach wind tunnel gives form and shape to the streamlining of the newly developed Macan. It’s the first Porsche based on the Premium Platform Electric (PPE) created in collaboration with Audi. This platform not only benefits from development synergies, but is also highly flexible, enabling Porsche to implement its own technical and brand-specific objectives. Full electrification of the popular model line is an important milestone on the path to ensuring that more than 80 percent of the new cars are fully electrified in 2030—depending on the demand of customers and the development of electromobility in the respective regions of the world.")
⏲ 2:5 👁 1.1M
_mere-sai-ep-377-full-episode-5th-march-2019.jpg "SET India")
⏲ 24 minutes 11 seconds 👁 538.8K
_mere-sai-ep-378-full-episode-6th-march-2019.jpg "SET India")
⏲ 24 minutes 10 seconds 👁 409.7K
_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.jpg "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
⏲ 2:18:48 👁 380K
_mere-sai-ep-376-full-episode-4th-march-2019.jpg "SET India")
⏲ 24 minutes 10 seconds 👁 415.2K
_mere-sai-ep-393-full-episode-27th-march-2019.jpg "SET India")
⏲ 31 minutes 40 seconds 👁 406.3K
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_tillu-square---full-movie---siddu-anupamaparameswaran---beautiful-love-story.webp "#TilluSquare #TilluSquareTrailer #Anupama<br/>Watch the Release Trailer of Tillu Square | Siddu, AnupamaParameswaran | MallikRam | March 29th Release<br/><br/>Tillu Square is our upcoming telugu feature film starring Sidhu, Anupama Parameswaran in lead roles. Directed by Mallik Ram. Editing by Navin Nooli. Cinematography by Sai Prakash Ummadisingu. Music by Ram Miriyala & Achu Rajamani. Produced by Suryadevara Naga Vamsi & Sai Soujanya.<br/><br/>#TilluSquare #TilluSquareTrailer #Siddu #Anupama <br/><br/>Worldwide Grand Release in theatres on March 29th, 2024.<br/><br/>Movie Name: Tillu Square<br/>Director : Mallik Ram <br/>DOP: Sai Prakash Ummadisingu<br/>Editor : Navin Nooli <br/>Background Score: Bheems Ceciroleo <br/>Music Director: Ram Miriyala and Achu Rajamani <br/>Art: A.S. Prakash<br/>Producer: Suryadevara Naga Vamsi & Sai Soujanya<br/>Banner: Sithara Entertainments, Fortune Four Cinemas")
_mere-sai-ep-673-full-episode-10th-august-2020.webp "SET India")
_mere-sai-ep-372-full-episode-26th-february-2019.webp "SET India")
_thank-you-next-124-official-trailer-124-netflix.webp "Thank You, Next | Official Trailer | Netflix<br/><br/>If we're ready, we're FALLING IN LOVE! Thank You, Next, only on Netflix, May 9th.<br/><br/>")
_mere-sai-ep-381-full-episode-11th-march-2019.webp "SET India")
_124-sai-baba-124-mere-sai-368.webp "Shemaroo Bhakti Darshan")
_the-new-porsche-macan-turbo-exterior-design-in-racing-green.webp "It’s all down to this line, a mere stroke on paper. And yet it marks a a new beginning. The coupé-like roofline of the Macan and the striking rear—with its shape so typical of Porsche—evoke the tight, unmistakable flyline of the 911. But this time, it’s not just a reminder of the Porsche icon. Rather, the shape, including the rear spoiler, is a groundbreaking innovation in the all-electric SUV segment. “The active aerodynamic elements all contribute significantly to the range,” says aerodynamics specialist Thomas Wiegand. “We have a rear spoiler that raises automatically, active cooling flaps at the front air intakes, and flexible covers on the underbody.” Located in the same building as the Style Porsche design department, the Weissach wind tunnel gives form and shape to the streamlining of the newly developed Macan. It’s the first Porsche based on the Premium Platform Electric (PPE) created in collaboration with Audi. This platform not only benefits from development synergies, but is also highly flexible, enabling Porsche to implement its own technical and brand-specific objectives. Full electrification of the popular model line is an important milestone on the path to ensuring that more than 80 percent of the new cars are fully electrified in 2030—depending on the demand of customers and the development of electromobility in the respective regions of the world.")
_mere-sai-ep-377-full-episode-5th-march-2019.webp "SET India")
_mere-sai-ep-378-full-episode-6th-march-2019.webp "SET India")
_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.webp "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
_mere-sai-ep-376-full-episode-4th-march-2019.webp "SET India")
_mere-sai-ep-393-full-episode-27th-march-2019.webp "SET India")
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