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One in 10 adults has a ‘floordrobe’ - where most of their clean clothes end up piled on the floor, according to a study. <br/><br/>Other unconventional ways to store clothes include a pile on a chair, in the washing basket and a suitcase. <br/><br/>A study of 2,000 people found 44 per cent confessed to being guilty of simply chucking their clothes in a heap after they’ve been worn. <br/><br/>Nearly nine in 10 (87 per cent) even have clothes they never wear - because they’ve forgotten they existed, are too crumpled - or can’t be found at all. <br/><br/>As a result, 27 per cent have items of clothing they’re not able to wear regularly, according to the study for Lenor Crease Releaser. <br/><br/>In response to these findings, the laundry company has teamed up with organising experts, The Style Sisters, to address this phenomenon and help tame the nation's 'floordrobes.' <br/><br/>They shared their expertise, emphasising the importance of organisation and offering practical tips to help the nation reclaim its wardrobe space. <br/><br/>The Style Sisters said: \
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Tamario Martin
⏲ 54 seconds 👁 9.9K
The University of West Alabama
⏲ 59 minutes 11 seconds 👁 295
Teenager led police on high-speed chase - because he didn't want his mother to know he'd been pulled overMcKenzie Ridley, a learner driver who \
⏲ 0:48 👁 18.5M
McKenzie Ridley, a learner driver who \
⏲ 0:48 👁 14.4M
'The Fall Guy' director David Leitch, Ryan Gosling, and his stuntman Logan Holladay break down how they pulled off a variety of stunt scenes in their new action film. From breaking the world record for cannon rolls in a car to Ryan (maybe) overcoming his fear of heights, they each explain from their own perspectives the nuances of coordinating and filming such intricate sequences.THE FALL GUY is in theaters now, https://www.thefallguymovie.com/tickets/Director: Kristen DeVoreEditor: Phil CeconiGuest: Ryan Gosling; David Leitch; Logan HolladayProducer: Sam DennisLine Producer: Jen SantosProduction Manager: James PipitoneProduction Coordinator: Elizabeth HymesTalent Booker: Meredith JudkinsProduction Assistant: Brock SpitaelsPost Production Supervisor: Rachael KnightPost Production Coordinator: Ian BryantSupervising Editor: Rob LombardiAssistant Editor: Andy MorellSpecial Thanks: Glass Engine
⏲ 11:46 👁 6.7M
AN AMISH BUGGY that would normally be drawn by horses has been fitted with a turbo jet engine. “It’s like oil and water, they should not go together,” jokes its creator Chad Clark. The outrageous project, built by Chad Clark and Mike Monter of Millersburg, Ohio was originally meant to be something very different. “Mike and I were at our local county fair, I mentioned it would be really cool to build a turbine-powered four-wheel drive pulling truck,” Chad explained. But the auction description had misrepresented the engine as a turbo shaft engine. “I went home that night, found an engine online and bought it but didn’t realise it was not turboshaft, it was turbojet only,” Chad remembers. They ended up having to use a much lighter vehicle instead of the original truck. “We live in the Amish capital of the world so we figured an Amish buggy would be perfect,” Chad said. Co-creator Mike Monter told Future Studios Cars: “He called me up, said we’re not doing a pulling truck anymore, we’re doing an Amish buggy – seemed natural.” The build and modifications cost around $30,000 and took roughly 700 hours of labour to complete: “Many all-nighters,” Chad said. When out in public, people struggle to believe the bizarre creation actually works. “When people see the Thunder Buggy they can’t believe their eyes and the first question is, does it really move? Yes it does,” explained Chad. Traditionally, these buggies would have been moved by horses so this particular one is far from conventional. “The buggy is not designed to take 100 feet of electrical wiring, fuel tanks and a jet engine,” Chad admitted. With a top speed of 65 miles per hour before the wheels start shaking, this exhibition-only vehicle was not built for speed: “It’s a really simple engine design, it’s some pretty awesome engineering from back in the 40s,” explained Chad.
⏲ 5:26 👁 6.1M
You Can't Stop Laughing by watching this adorable video showcasing the pure joy of a playful parent-child interaction! Witness the incredible moment a dad pulls out all the stops with his silly noises, sending his baby into a fit of contagious giggles that will melt your heart. Prepare to be charmed by the pure delight on the baby's face, the unbreakable dad-baby bond, and the reminder that the simplest things can bring the most joy. <br/><br/>Video ID: WGA592876<br/><br/>All the content on Heartsome is managed by WooGlobe<br/><br/>For licensing and to use this video, please email licensing(at)Wooglobe(dot)com.<br/><br/>►SUBSCRIBE for more Heart touching Videos: <br/><br/>-----------------------<br/>Copyright - #wooglobe #heartsome <br/>#funnybabyvideo #contagiouslaughter #mustsee #trynottosmile #adorable #parentchildbond #babyplay #funnymoments #adorableanimals #dadlife #momlife #familyfun #laughteristhebestmedicine #preciousmoments #wholesomecontent #babylife #milestones #purejoy #makingmemories #dadjokes #laughtertherapy #laughing <br/>
⏲ 0:31 👁 265K
This man was practicing his boxing skills in his garage when he accidentally broke the ceiling light. As he punched the bag, it hit the tube light in the ceiling, causing it to break. As the punching bag swung around, it also pulled down the man's band saw, creating a mess in the garage.
⏲ 0:24 👁 400K
Four Lovers: Directed by Antony Cordier. With Marina Foïs, Élodie Bouchez, Roschdy Zem, Nicolas Duvauchelle. What are adult love affairs ? Two couples meet and fall in love, lose sight of each other in the confusion and end up pulling through.<br/>Release date: Mar 30, 2012<br/>Duration: 01:43:00<br/>Director: Antony Cordier<br/>Actors: Marina FoïsÉlodie BouchezRoschdy Zem …<br/>Rating: 5.6/10 - 2.02K votes
⏲ 1:44:33 👁 595K
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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 145K
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