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鬼新娘Spiritual Love1987
⏲ 1:29:22 👁 335K
Witches? or Ghosts? - Cussly Gets a Fright - Halloween Episode with Song - ChuChu TV Storytime
⏲ 6 minutes 24 seconds 👁 15.4M
Cussly Gets a Fright - Halloween Stories from ChuChu TV Storytime
⏲ 48 minutes 54 seconds 👁 2.7M
Wednesday Season 2Cast RevealNetflix
⏲ 1:8 👁 15K
Witches? or Ghosts? - Fun Stories for Children #ChuChuTV #Storytime #shorts #Halloween
⏲ 55 seconds 👁 2.8M
Rapunzel, Hansel & Gretel + many more Fairy Tales and Classic Stories for Kids by ChuChu TV
⏲ 1 hour 2 minutes 8 seconds 👁 9.4M
WHITE GOLD | Omeleto
⏲ 17:28 👁 1.8M
The King's Vases - Storytime Adventures Ep. 5 - ChuChu TV
⏲ 11 minutes 15 seconds 👁 9.8M
The Little Liar - Story with ChuChu & Friends - @ChuChuTVStorytime
⏲ 11 minutes 3 seconds 👁 7.7M
WEDNESDAY ADDAMS – SEASON 2 TRAILER Netflix
⏲ 1:34 👁 85K
Happy Birthday Mommy + Many More Good Habits Bedtime Stories for Kids – ChuChu TV
⏲ 47 minutes 6 seconds 👁 538K
ChaCha and the soap bubble attack + Many More ChuChu TV Good Habits Bedtime Stories For Kids
⏲ 46 minutes 59 seconds 👁 174.7K
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_spiritual-love-1987.webp "Spiritual Love, also known as Ghost Bride or The Phantom Bride is a 1987 Hong Kong fantasy comedy film directed by David Lai Dai-wai (黎大煒) and Taylor Wong Tai-loi (黃泰來) and starring Chow Yun-fat (周潤發), Cherie Chung Chor-hung (鍾楚紅) m , Pauline Wong Siu-fung (王小鳳) and Deanie Ip Tak-han (葉德嫻). In the film, a man offers years of his own life to release a female ghost from the afterlife. He proceeds to reject his unfaithful girlfriend, and to start a romantic relationship with the ghost. His former girlfriend kills herself in a failed attempt to reclaim his affection. The girlfriend returns as a vengeful ghost, and the other female ghost has to sacrifice herself in order to rescue her lover.<br/><br/>A man named Pu Yung-tsai (Chow) lives with his cousin who is a student of Feng shui and Maoshan. Yung-tsai buys an antique desk from a second-hand shop and inside is a suicide letter written by a young woman called Wei Hsiao-tieh (Cherrie). Yung-tsai replies to the letter and gives up 3 years of his life, so the woman is able to come back to Earth as a ghost and get away from her forced marriage in the afterlife. When Yung-tsai splits up with his girlfriend, May (Pauline), because he caught her having an affair, he begins a relationship with Hsiao-tieh. May wants to get back together with Yung-tsai because her rich boyfriend has dumped her and she is pregnant. She stages a fake suicide attempt to win back Yung-tsai but it backfires and she dies.<br/><br/>May then returns as a ghost in a night club and Yung-tsai, his cousin, his cousin's mentor and his friend attempt to get rid of her spirit. She chases them all around the club trying to kill them. Hsiao-tieh makes a deal with her husband to go back to him, if he will save Yung-tsai and his friends. The husband then turns up and consumes May's ghost before returning to his own realm with Hsiao-tieh.")
_witches-or-ghosts-cussly-gets-a-fright-halloween-episode-with-song-chuchu-tv-storytime.webp "ChuChuTV Storytime for Kids")
_cussly-gets-a-fright-halloween-stories-from-chuchu-tv-storytime.webp "ChuChuTV Storytime for Kids")
_wednesday-season-2-cast-reveal-netflix.webp "Wednesday Season 2Cast RevealNetflix")
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_white-gold-124-omeleto.webp "A woman with albinism wants revenge after a witch doctor hacks off her arm.<br/><br/><br/>WHITE GOLD is used with permission from Luke Bradford. Learn more at https://lukebradford.com.<br/><br/><br/>Mansa, a woman living with albinism in a village, set in an unnamed country in Africa. She lost one of her hands at an earlier age to the predations of a witch doctor named Natron, who mutilated her for his potions.<br/><br/>Mansa has had to live with the aftereffects of the violence, neglecting her work as a teacher and her role in the community. She is consumed with the idea of getting back at the man who treated her so inhumanely. She enlists her father to pose as a potential client to Natron, luring the witch doctor out of his home, where she can exact her revenge.<br/><br/>Written and directed by Luke Bradford, this Oscar-longlisted short thriller offers a propulsive, dynamic take on the plights of individuals with albinism in many African countries, who are believed by witch doctors to have magical properties and who hunt people with albinism down, mutilating them. It generates compelling suspense in following the plight of Mansa, who seeks revenge on the witch doctor and gets inside the headspace of someone traumatized by violence, who can't seem to shake its aftereffect.<br/><br/>The subject matter will be difficult and shocking to many, and through its energetic pace and vivid, dazzling visuals, the film offers a visceral and powerful way to enter into the issue and tap into the profound injustice of it all. We also get glimpses of the albinism community, and the way they must band together to feel accepted and safe -- and are set apart from mainstream life.<br/><br/>The narrative covers a lot of ground, needing to quickly establish the cultural context, relationships and characters. It crams a feature's worth of events into the short format, juggling many story elements, though it takes more time in a slightly slower, more internal middle section exploring Mansa's trauma and the way that resentment has twisted her emotions. <br/><br/>Actor Refilwe Modiselle's performance captures how the inhumanity she faced has scarred her, twisting her emotions into a bitter resentment and rage at what happened to her. But actor Aubrey Mmakola's performance as the witch doctor Natron captures the true horror of the plight of Mansa and others with albinism. Natron looks at Mansa in their re-encounter and sees nothing but a commodity, and the matter-of-factness of his dehumanization of her is chilling, pushing Mansa to the brink in an explosive climax.<br/><br/>It's tempting to think of the idea of mutilating people with albinism as savage, superstitious and barbaric, and not go deeper into why such practices persist in the cultures that hold these beliefs. But WHITE GOLD has a slight twist at its conclusion, one that offers some subtle commentary on why these beliefs persist. In some ways, the ending is even more disturbing than it appears at first because it demonstrates how deeply embedded such ideas are into the social fabric, and how poverty and a lack of options contribute to their endurance, despite education, morality or notions of human decency. The injustice at the heart of WHITE GOLD is clear, but the solution will be much more complicated to put in place.")
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