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Gallan Pakiyan Ho Gaiyan Teriyan Te Meriya mehk malik 2024
⏲ 6:48 👁 125K
16 Tree Species for Indoor Bonsai Part 1
⏲ 7 minutes 32 seconds 👁 23.1K
How to grow Bonsai trees indoors successfully
⏲ 7 minutes 9 seconds 👁 38.8K
The murder of little Mary Phagan - Vanessa Neubauer - Part 2 of 13
⏲ 1:10:6 👁 10K
5 beginner Bonsai mistakes to avoid,that might be killing your bonsai tree!
⏲ 12 minutes 31 seconds 👁 141.8K
What is the Easiest Bonsai for a Beginner?
⏲ 8 minutes 4 seconds 👁 166.4K
Creating Estate ‘Reigersbergen’ – 16-05-20
⏲ 1:12 👁 5K
3 Best Bonsai Trees for Beginners - Which Bonsai Tree Should I Get?
⏲ 7 minutes 52 seconds 👁 179.5K
Bonsai trees for Beginners
⏲ 3 minutes 29 seconds 👁 87.5K
Out To Old Aunt Marys poem by James Whitcomb Riley - Harry E. Humphrey recites (1849-1916)
⏲ 3:27 👁 5K
Process of Making a Bonsai Tree on a Rock. Bonsai Master in Korea
⏲ 8 minutes 26 seconds 👁 1.1M
How to Turn a 3-Year-Old Tree to 25-Year-Old Bonsai
⏲ 12 minutes 41 seconds 👁 167.8K
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_gallan-pakiyan-ho-gaiyan-teriyan-te-meriya-mehk-malik-2024.webp "Gallan Pakiyan Ho Gaiyan Teriyan Te Meriya mehk malik 2024,,Films, Songs, Stage Dramas and live shows and an ultra modern,<br/>Sound proof facility for indoor live audio and video shootings.<br/>With its excellent infrastructure, state of the art equipment, <br/>Dedicated team of experts, countrywide distribution network, and")
_16-tree-species-for-indoor-bonsai-part-1.webp "Bonsaifly")
_how-to-grow-bonsai-trees-indoors-successfully.webp "Bonsaifly")
_the-murder-of-little-mary-phagan-vanessa-neubauer-part-2-of-13.webp "The most important details in this chapter are that the narrator is Mary Phagan-Kean, a great niece of William Jackson Phagan and Angelina O'Shields Phagan. At age 15, the narrator is certain of one thing their life will be shaped by their relationship to little Mary Phagan. They go to Atlanta's archives to discover more about the family, including the trial of Leo Frank and the lynching. The narrator's great great grandparents, William Jackson Phagan and Angelina O'Shields Phagan, made their home in Akworth, Georgia, and their children included William Joshua Haney McMillan, Charles Joseph Ruben Egbert, john Marshall, george Nelson, lizzie Marietta, john Harvell, maddie Louise, billy Arthur and Dora Roth. The eldest son, William Joshua, loves the land and farmed with his father, and on December 20, 791, he married Fanny Benton.<br/><br/>The Reverend J. D. Fuller presided over the Holy Bands of Matrimony for William and Fanny Joshua in Cobb County, Georgia. William and Fanny became successful farmers and moved to Florence, Alabama in 1895. In February of 1899, William Joshua Phagan died of measles and Fanny was left with their four young children. On June 1, Mary Anne Phagan was born to Fanny in Florence, Alabama. Fanny moved her family back home to Georgia where she planned to live with her widowed mother, Mrs. Nanny Benton, and her brother, Rel Benton.<br/><br/>Fanny figured there would be more opportunities in a densely populated area. Southern society was changing rapidly and the younger generation did not know the high feelings of the War between the States and the Reconstruction. WJ Phagan moved his family back to Georgia after the death of his eldest son in 1907. He purchased a log home and land on Powder Springs Road in Marietta and provided Fanny with a home for her and her five children to live in. After 1910, Fannie and four of her five children moved to East Point, Atlanta, Georgia, where she started a boarding house and the children found jobs in the mill.<br/><br/>Charlie Joseph, the middle child, decided to continue farming and moved in with his Uncle Ruben on Powder Springs Road in Marietta. Mary found work at the National Pencil Company in Atlanta. The Phagan family remained close with relatives in Marietta, where they played games such as hide and seek, hopscotch, dolls and house. Mary's favorite game was house, where the girls would clear a clean spot in the shade, place rocks in it for chairs, and decorate the inside of the house using limbs from trees or other big branches already on the ground.<br/><br/>The most important aspect are the stories of Fanny and her children. Fanny married J. W. Coleman, a cabinet maker, and they moved to JW's house at 146 Lindsay Street in Atlanta, near Bellwood, a white working class neighborhood. After marrying, Fanny requested that Mary quit work at the pencil company and continue her education, but Mary liked her work at the factory and didn't want to quit.")
_5-beginner-bonsai-mistakes-to-avoid-that-might-be-killing-your-bonsai-tree.webp "Life of Bonsai")
_what-is-the-easiest-bonsai-for-a-beginner.webp "Herons Bonsai")
_creating-estate-reigersbergen-16-05-20.webp "Printable: https://corneakkers.com/product/printable-estate-reigersbergen-16-05-20/<br/>Product: https://corneakkers.com/product/estate-reigersbergen-16-05-20/<br/><br/>Estate Reigersbergen<br/><br/>This graphite pencil drawing ‘Estate ‘Reigersbergen’ – 16-05-20’ is a bit of impression, executed in my hatched strokes style. My mind is back on landscapes again since my last drawing ‘Model Session – 14-05-20’. I liked laying down these hatchings in the female form so why not in trees again? You can spot them returning in Marlot – 11-04-20 but that was a small A6-size one. De Hofvijver – 20-03-20 (Sold) is A4-size and that is what I longed for this time. Besides that, there’s not something to do really since the virus started to kick in. Don’t worry, I have not taken ill, yet. Still not teaching though and therefor l trade lockdowns for landscape so-to-say.<br/><br/>Corona Days<br/><br/>These Corona days I wander about the region like I am used to. Nothing changed in this respect and it’s something I am used to during Sprintime. Moreover, I am more than happy that we in The Netherlands have at least some freedom of movement. Besides that the end of our ‘intelligent lock down’ is in sight. Soon I can start to teach but first draw this one. I was attracted by the slanted angular structures of the willow trees. They suit my opposite hatched strokes quite nicely. It represents a spot close to where I live, called ‘Estate Reigersbergen’.<br/><br/>Favorite Spot<br/><br/>In the distance the treeline belongs to Huis Ten Bosch, where king Willem-Alexander van Oranje-Nassau and his family reside. This estate ‘Reigersbergen’ is one of my favorite spots in The Hague. It has all a man could wish for, woodlands, pastures, cows, forests and parks. Just around the corner to where I live. That’s the wonderful part of living here in The Hague.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B & Conté graphite pencil 4B) on Canson Bristol paper (21 x 29.7 x 0.1 cm – A4 format)<br/>Artist: Corné Akkers<br/>")
_3-best-bonsai-trees-for-beginners-which-bonsai-tree-should-i-get.webp "Gro Bonsai")
_bonsai-trees-for-beginners.webp "Bonsai Empire")
_out-to-old-aunt-marys-poem-by-james-whitcomb-riley-harry-e-humphrey-recites-1849-1916.webp "“Out To Old Aunt Mary's” is a poem by James Whitcomb Riley (1849-1916)<br/><br/>Harry E. Humphrey recites the poem<br/><br/>Edison Blue Amberol 2539.<br/><br/>Wasn't it pleasant, O brother mine, <br/>In those old days of the lost sunshine <br/>Of youth-- when the Saturday's chores were through, <br/>And the 'Sunday's wood' in the kitchen too, <br/>And we went visiting, 'me and you,' <br/>Out to Old Aunt Mary's? <br/><br/>It all comes back so clear to-day! <br/>Though I am as bald as you are gray-- <br/>Out by the barn-lot, and down the lane, <br/>We patter along in the dust again, <br/>As light as the tips of the drops of the rain, <br/>Out to Old Aunt Mary's! <br/><br/>We cross the pasture, and through the wood <br/>Where the old gray snag of the poplar stood, <br/>Where the hammering 'red-heads' hopped awry, <br/>And the buzzard 'raised' in the 'clearing' sky <br/>And lolled and circled, as we went by <br/>Out to Old Aunt Mary's. <br/><br/>And then in the dust of the road again; <br/>And the teams we met, and the countrymen; <br/>And the long highway, with sunshine spread <br/>As thick as butter on country bread, <br/>Our cares behind, and our hearts ahead <br/>Out to Old Aunt Mary's. <br/><br/>Why, I see her now in the open door, <br/>Where the little gourds grew up the sides and o'er <br/>The clapboard roof--! And her face-- ah, me! <br/>Wasn't it good for a boy to see-- <br/>And wasn't it good for a boy to be <br/>Out to Old Aunt Mary's? <br/><br/>The jelly-- the Jam and the marmalade, <br/>And the cherry and quince 'preserves'' she made! <br/>And the sweet-sour pickles of peach and pear, <br/>With cinnamon in 'em, and all things rare--! <br/>And the more we ate was the more to spare, <br/>Out to Old Aunt Mary's! <br/><br/>And the old spring-house in the cool green gloom <br/>Of the willow-trees--, and the cooler room <br/>Where the swinging-shelves and the crocks were kept-- <br/>Where the cream in a golden languor slept <br/>While the waters gurgled and laughed and wept-- <br/>Out to Old Aunt Mary's. <br/><br/>And O my brother, so far away, <br/>This is to tell you she waits to-day <br/>To welcome us--: Aunt Mary fell <br/>Asleep this morning, whispering-- 'Tell <br/>The boys to come!' And all is well <br/>Out to Old Aunt Mary's.<br/><br/>James Whitcomb Riley lived from October 7, 1849, to July 22, 1916.<br/><br/>He was known as the \")
_process-of-making-a-bonsai-tree-on-a-rock-bonsai-master-in-korea.webp "Factory Monster")
_how-to-turn-a-3-year-old-tree-to-25-year-old-bonsai.webp "Bonsai Heirloom")
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